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He is first documented in Leuven in 1457 and worked there until his death in 1475.Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his Last Supper).
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His "Triptych of the Virgin" (1455), "Martyrdom of St.
Erasmus" (1458), "Altarpiece of the Holy Sacrament" (1464-1467), and "The Justice of Emperor Otto III" diptych (1460), "Portrait of a Man" (1462), and "Resurrection" (1455) are considered masterpieces.
"Resurrection" part of the Norton Simon Museum collection. His "Triptych of the Virgin" (1455), "Martyrdom of St.
"Resurrection" part of the Norton Simon Museum collection.
Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist.
According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468.
The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven.